Unlike classroom teachers, most flute instructors begin their careers with little training in pedagogy and have little guidance in becoming an effective teacher. Unless they hold a degree in education, many have never taken a course in the psychology of teaching and learning. Unlike student teachers, who receive systematic mentoring, graduate teaching assistants are often left to fend for themselves. Some have taken courses in pedagogy on their instruments, but these address details of technique and repertoire more than how to communicate with, nurture, and motivate students. There is a huge body of literature on classroom teaching, especially with younger students, but relatively little on one-on-one instruction.
This workshop describes the traits of effective applied teachers by summarizing research on teaching on the studio setting and relating Garrison's teaching techniques developed over three decades of experience. Issues addressed include advantages of individual vs. group instruction, the teacher-student relationship, styles and techniques of verbal and nonverbal communication, the use of “scaffolding,” the structure of lessons and teaching cycles, motivation, and evaluation, assessment, and grading.
Bring your flutes and be prepared for some fun role-playing! |